The sun-drenched landscapes of the Northern Territory form the backdrop for a politically neutral, storytelling approach aimed at fostering learning and connection between Indigenous Australian communities and urban Australians. Our documentary chronicles the transformative journey of two First Nations men, Jaxon De Santis and Justin Grant, as they grapple with their uncertainty about the impending Voice to Parliament referendum.

Motivated by the glaring knowledge gap between urban dwellers and remote Indigenous communities, Jaxon and Justin embark on a journey to understand the perspectives of those who will be most affected by the referendum. Their quest is not only to find their own voices but also to empower others to do the same.

It is an open invitation to embark on a shared journey of understanding, guided by the wisdom and experiences of diverse First Nations communities across the NT.

Army veteran Adrián is suffering from PTSD after a decade in the military. An invitation by a journalist friend to share his story leads him to meet Nayeli, a mother searching for her disappeared son. Can two seemingly opposing people find a way to reconsider established ideas of victimization, peace, and justice amid Mexico’s drug war?

A trio sets out for a drug-filled quest during New Year's Eve when one of them spirals into a terrifying drug trip and overdoses after which it is up to his two friends to save his life and bring him back from madness.

The inspiring journey of Benjamin Feliksdal began in a humble yet determined manner. At the tender age of just six, he discovered his calling in the world of dance. His talent quickly caught the attention of none other than Sonja Gaskell, an iconic figure in the Dutch dance scene. Under her tutelage, Benjamin blossomed into a talented dancer with a passion for expression and movement.

At the pinnacle of his career, Benjamin shone as a soloist at the National Ballet during 1960-1971, sharing the stage with legends like Rudolf Nureyev. His performances were acclaimed, and his elegance and virtuosity made him one of the most admired dancers of his time.

However, following a questionable dismissal, Benjamin chose to chart his own path. He ventured across the Atlantic to New York, where he began anew as a humble apprentice. In the vibrant dance scene of the Big Apple, he embraced new styles and techniques. He took classes at the most prestigious dance schools and expanded his repertoire to encompass modern dance and jazz dance, which held a special place in his heart.

Back in the Netherlands, Benjamin cherished the knowledge he had gained and founded "Benjamin's Modern Jazz Dance Center." His dance school became a breeding ground for talented artists, and many of his students went on to become famous performers in their own right.

At the age of 83, Benjamin Feliksdal remains a radiant exemplar of dedication to the art of dance. He has not only molded bodies but also inspired hearts. This documentary pays tribute to Benjamin's lifelong commitment to the world of dance, serving as a testament to his impact and celebrating a life that danced to the rhythm of music, touching the hearts of many.

Cláudio is a man without purpose who finally discovers his role in the world.

We live in a digital world. But we're fairly analog creatures.

'First We Bombed New Mexico" follows the intimate journey of indomitable Hispanic cancer survivor Tina Cordova who has catalyzed a movement seeking justice for the forgotten residents of southern New Mexico – mostly Hispanic and Native – who suffer multigenerational cancers they tie to the secret poisoning of their land by the Trinity Bomb.

This is the story that "Oppenheimer" doesn’t tell. It is a s-hero’s journey.

When Tina was diagnosed with thyroid cancer 18 years ago, the doctor asked when she was exposed to radiation. Tina knew the answer. She knew that multigenerational cancers afflicting her town of Tularosa, and the cancer that killed her father – were tied to radiated fallout that covered her town following Trinity's secret explosion.

Tina discovers that Manhattan Project physicians had urged General Groves to evacuate residents before the blast to save them from catastrophic levels of radiation. But secrecy and concerns about litigation trumped concern for citizen health.

Tina also discovers that baby deaths in New Mexico spiked directly after the blast. “New Mexico babies were the first victims of Trinity”. This also was covered up.

Downwinder victims of the later Nevada Cold War nuclear tests, however, have received reparations from Congress since 1990.

This becomes Tina’s goal – to have Congress extend RECA (Radiation Exposure Compensation Act) legislation so New Mexicans who lost family members to cancers associated with Trinity also receive compensation.

Tina travels to Laguna Pueblo where the world’s largest open pit uranium mine scars its earth. Drone shots witness the still open pit, adjacent to the town of Paguate where former mining families are sick and dying. These families are also unsuccessful in getting the government‘s attention. Tina forms a coalition, saying “If we speak with one voice, it will be harder for Congress to turn its back on us”.

Finally, in 2018, Tina and her close band of downwinder mothers are invited to Washington to tell their story. Tina is certain that once Congress hears their story, it will help them. In marbled rooms on Capitol Hill, verité filming shows famous legislators enthusiastically applauding the women. However, Tina and the mothers are sorely disappointed after they return to New Mexico and discover no concessions or help was approved.

Woven into our film are insights by renowned nuclear experts, including MIT professor and author Kate Brown. Brown says efforts by the Downwinders to get justice from the government is like “the fox guarding the henhouse”.

Prof. Josh Wheeler author of "Acid West" and a 5th-generation New Mexican, observes that New Mexico is the only state in the United States with a cradle-to-grave nuclear industry – where the uranium for the weapons was mined, the nuclear weapons are built and the nuclear waste is stored. Professor Myrriah Gomez uses the term “nuclear colonialism” to describe the relationship between local residents and the powerful and rich nuclear industry in New Mexico.

This beautiful and compelling documentary celebrates resilient people in a gorgeous and remote part of our country that the government falsely claimed was ‘uninhabited’.

The clock is ticking, the Downwinders only have until June 2024 to get Congress to extend RECA. This is a historic, nail-biting moment. Largely thanks to "Oppenheimer" and sudden interest in Trinity, the Senate recently voted to extend RECA, something Tina had been trying unsuccessfully to accomplish for 18 years. Now the pressure is on the House to do the same.

"First We Bombed New Mexico" finally exposes the truth about our nuclear origin story. Once screened, the film will be used in an impact campaign to gain public support to extend RECA in the House to achieve compensation for our ignored Native and Hispanic population that bore the cost of of nuclear legacy.

Since "Oppenheimer", Tina has become a media star. Everyone wants to hear from her. However, they only get sound bites. Six years ago, Tina asked me to make this documentary to amplify her voice. Tina and the Downwinders have opened their doors to us. We are honored to have a powerful and important film that will move viewers, enrage them, engage them, inspire them, and hopefully impact change.

In an era when Putin and Trump glibly consider ‘limited’ nuclear strikes. We see that fallout doesn’t stop at borders. We are all downwinders.

I have included a letter of support from NM Governor Michelle Lujan Grisham.